Looking for art in the Savannah area? Go no further. Here’s our list of exhibitions, galleries and museums. Send content to [email protected]
4 Top (Still Serving) Group Exhibition: noon-5 p.m. Oct. 28-31; The Gallery at Sulfur Studios, 2301 Bull St.; 6-9 p.m. Oct. 29 opening reception. The artists are reuniting as a group for the first time since their last show together in spring 2008, when they were all waiting tables together.
Katherine Agurcia is a commercial portrait photographer who is exploring the classical world of botanical photography. Lee Ashburn depicts the abstract nature of our atmosphere. Tamara Garvey has created a series of nature/floral paintings. . Matt Hebermehl will be showing a series of portraits drawn from in-person sessions with friends in Los Angeles, all connected by the Savannah diaspora, as we live in a permanent state of SAVANGELES.
Submit your event at [email protected] Published online. Events printed in chronological order as space allows. Info at 912-652-0365, leave a message. Art shows practice COVID restrictions with face masks and social distancing.
Tittybats in the Drive Thru Art Box: through Dec. 8, The Drive Thru Art Box at Green Truck Pub, 2430 Habersham St.; 6-8 p.m. Nov. 18 happy hour artist talk; sulfurstudios.org/drivethruart. The artist, Matt, creates hilarious, interesting, and sometimes scathing designs, putting them on T-shirts, patches, and enamel pins.
Call for Entry: deadline Dec. 5; Sulfur Studios – 2301 Bull St.; sulfurstudios.org/onview-residency-app. ON View Artist Residency plus 5th Dimension Apartment. Artist Residency provides a free, high visibility studio space for an artist to complete a focused project.
Scary Tales: through Nov. 12 in the main gallery, until Dec. 31 in Chat Gallery; Location Gallery @ Austin Hill Realty, 251 Bull St. The opening will have unusual guests interacting with the crowd, courtesy of Front Porch Improv.
By Lisa Ocampo, Tiffany Star O’Brien, Lee O’Brien and Peter E. Roberts, this is a holiday show with art inspired by the spooky, the surreal and the spectacular with wicked prose by each artist. A variety of mediums includes paintings, mixed media, assemblage and carvings. Gallery profits from the show are donated to programs at Front Porch Improv.
Annual photo contest: Submissions due Nov. 5. Winners announced early December. Complete rules and submission guidelines at: ogeecheeriverkeeper.org/annual-photography-contest.
Ogeechee Riverkeeper (ORK) is soliciting the best photographs from across the 5,500 square mile watershed. Judges will be looking for images that highlight what makes the Ogeechee and Canoochee Rivers, and the surrounding areas, remarkable. Multiple categories will put on a spotlight the beauty of the area
“From the Ogeechee Shoals to the expansive marshes, tall pines to knobby cypress swamps, our watershed is home to an incredible variety of ecological features,” said Meaghan Walsh Gerard, communications director for ORK. “We are also a habitat for more than 160 rare species of plants and animals. By displaying the amazing ecological wealth we have, we hope to inspire more people to protect it.”
Fleeting Bodies: Eternal Souls: through Nov. 7, Sulfur Studios, 2301 Bull St. Sinéad Hornak is Sulfur Studios ON::View Artist in Residence. Focus on the bodily containment of the human soul, documenting the gradual decay of our bodies into an ephemeral and abstract state.
Hornak will be narrating the soul’s path to existence through abstract collages and mixed media work in a series of book pages. Each page will be individually displayed in the window, building a tapestry of abstract collaged pages composing this overarching narrative of the soul escaping the bodily containment.
Open studio hours: Thursdays & Sundays noon-5 p.m.; closing reception 5-9 p.m. Nov. 5; sulfurstudios.org/residency.
Benjamin Jones work 1994-2020: Through Dec. 22, Laney Contemporary, 1810 Mills B Lane Blvd.; laneycontemporary.com.
New sculptures, including singularly eccentric rabbits, skulls, and elephants came about when Jones uncovered stored boxes of straight-pins and abandoned styrofoam rabbit forms that he had thrifted over a decade ago. Carefully embellishing each form with paper maché and colorful pins, the materials spoke to Jones as discarded and reborn objects from his past and materials for his future, like sculptural pincushions haunting us from a depression-era mentality or homemade Fabergé eggs, they exude a revived sense of re-use culture necessitated during virus lockdown.
The acupunctured fluffle of bunnies and neighboring pierced skulls seem protected with a layer of experience and armor.
Social distancing on the lawn and in gallery. personal selection of drawings and sculpture reveals the continuities of a creative life, and the connections between past iconography and renewed energy.
“Organic Ephemera” by local artist José Ray: Nature inspired mixed-media exhibit through Oct. 30 at Grand Bohemian Gallery, The Mansion on Forsyth Park, 700 Drayton St.; free admission. Incorporates range of media, including watercolor, markers, colored pencils and ink to showcase the inherent beauty within the cycles of nature. Bright flowers serve as a mainstay in the exhibit and act as a conduit for a larger message about life’s brevity and sanctity.
EDGE: A collaborative exhibition by Cynthia Knott & Michael Turner; noon-5 p.m. Oct. 24; The Gallery at Sulfur Studios 2301 Bull St.; artist talk Oct. 16; view by appointment at sulfurstudios.org/edge; Facebook Event: facebook.com/events/565349831275162.
Mixed media collaboration that weaves together the histories, disciplines, and perspectives of Cynthia Knott and Michael Turner. The collaborative aspect of this endeavor came alive when both artists agreed that there are no mistakes in the creative process, laying a foundation for combined vision, energy, and a new artistic voice.
“White Wig” by Mehryl Levisse: through Dec. 12 at SCAD Museum of Art, scadmoa.org/exhibitions/white-wig. Levisse’s multifaceted practice explores notions of subjectivity and identity related to queer experience. Using gendered symbols and imagery associated with pageantry, masquerade, and cabaret, the artist produces an extravagant visual language that interrogates commonly accepted conceptions of masculinity and femininity. Levisse’s performances and installations act as stages on which gender is remixed and obfuscated. Serving as emcee, the artist orchestrates space to question the limits of the body and the societal codes that constitute how we behave.
ARTS Southeast: New nonprofit with a mission to make Savannah a destination for art and culture in the Southeast by supporting established and emerging artists and engaging a diverse community with programming by developing awareness and appreciation of the arts. Sulfur Studios is flagship program. Executive Director is Emily Earl. artssoutheast.org.
Irritable Pelican Artisan Gallery: 10 a,m.-4 p.m.; 802 1st St., Tybee Island; irritablepelicanartisangallery.com.
Savannah African Art Museum: 11 a.m.-5 p.m. Wednesday-Saturday, 201 E. 37th St.; savannahafricanartmuseum.org. West Africa gallery tours start on the hour, every hour, with the first tour beginning at 11 a.m., last tour at 4 p.m. Central Africa gallery tours start every hour on the half our, with the first tour beginning at 11:30 a.m. and the last tour at 3:30 p.m. Masks are required for all visitors and staff while inside the museum. Admission free; donations appreciated; savannahafricanartmuseum.org.